Current
Our America: Documentaries in Dialogue
Overview
Our America: Documentaries in Dialogue, now in its eighth year, was established by American Documentary | POV in the aftermath of the 2016 US election in order to support regional PBS stations and their viewers in finding common ground in an ever changing social, economic, and political landscape.
This year’s group represents a coast-to-coast tapestry of regional PBS stations seeking to explore more fully the topics that resonate with their communities such as climate change, democracy, identity and economy. Each station receives up to $6,000 to support their community programming endeavors, exclusive digital access to POV films, and educational resources including film discussion guides that can support screenings, marketing, participant fees and workshops.
Our America is made possible by PBS, the Open Society Foundations, The John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation, Reva & David Logan Foundation, Park Foundation, and Perspective Fund.
2024 Program
2024's Our America grantees will collaborate with local organizations to engage younger audiences, lifelong learners, and student groups, aligning with each station's unique initiatives and priorities. Howard University’s WHUT, a pioneering public station operated by a historically black college and university (HBCU), reaches millions in the D.C. metro area with its distinctive programming. Georgia Public Broadcasting, a 2022 ‘Our America’ grantee, joins the cohort this year to enhance its mission to create, produce and distribute high quality programs and services that educate, inform and entertain its audiences and enrich the quality of their lives. West Virginia Public Broadcasting highlights Appalachian culture and history through compelling storytelling. Rocky Mountain PBS fosters civic engagement across Colorado, strengthening community ties. Prairie Public Broadcasting offers a "window on the world" to viewers in North Dakota, Montana, northwestern Minnesota, and parts of South Dakota and Manitoba, promoting lifelong learning and civic discourse. PBS Utah, a second-time grantee, was recognized for its 2023 ‘Our America’ events, which used the Peabody Award-winning film While We Watched to spark critical conversations about media and misinformation in Utah and beyond.
Grantees:
GPB strives to educate, entertain and enrich the lives of their viewers and community members with programming that includes, and responds to, local interests and affairs from the region and beyond. As a statewide public media station, they develop and provide expansive opportunities to explore current affairs, sports, provide educational resources for teachers and students and present enlightening community programs for a variety of audiences. They will organize collaborative events centered around season 37 POV films to bring their audiences and supporters together around timely topics.
PBS Utah
Two-time 'Our America' grantee PBS Utah plans to partner with Amplify Utah to execute grant activities. Amplify Utah facilitates dynamic journalistic storytelling to celebrate diverse points of view. They cultivate an environment that encourages stories to be shared widely and made easily accessible for communities to read, hear, watch and engage. For this project, PBS Utah will collaborate with Amplify Utah to facilitate a student-led journalistic project around the film Break the Game – focusing on the mental health and isolation of students during the pandemic and how it has affected their behaviors, motivations, and maturity as they graduated from high school and entered college.
Following up on the success of PBS Utah's 2023-2024 ‘Our America’ project the station aims to expand the opportunity to incorporate additional state colleges and universities and will support 16-20 students in this expanded initiative by coordinating a cross-campus student journalism initiative to engage college-age audiences. This initiative will guide students through creating content inspired by the film Break the Game. PBS Utah will also organize public screening events in collaboration with the Utah College Media Collaborative, featuring discussions on Break the Game and showcasing the work created by journalism students participating in the project. Potential Partners from the Utah System of Higher Education (USHE) include: University of Utah, Utah State University, Weber State University, Southern Utah University, Snow College, Utah Tech University, USU Eastern, Utah Valley University, Salt Lake Community College
With the strategic goal of reaching young adults for station engagement and audience development Prairie Public Broadcasting will use Break the Game to open and engage in conversation around themes presented in the film such as gamer culture, the realities of online harassment, and the mental health implications of living a digital life – with audiences that actively experience the subject material. In addition to screening the film, the station plans to curate a panel featuring competitive Esports student athletes and community gamers who can speak to these topics.
RMPM plans to partner with Denver Film, a community cultural arts organization that, since 1978, has worked to promote film as both an art form and a civic forum. As the only nonprofit theater in Colorado, Denver Film is dedicated to engaging both its members and the public in a lifelong relationship with film. The organization operates the Sie FilmCenter, its year-round cinematic home, where it presents the annual award-winning Denver Film Festival each November and a series of spotlight festivals and series throughout the year.
Drawing on its strong, long-standing partnership with Denver Film, RMPM will work with the organization to screen a series of three Season 37 POV films—Hummingbirds, The Body Politic and Break the Game to collaborate on discussion sessions following each screening, including participation by staff members from each organization and invited panelists from the community. The two organizations will also cross-promote the events using outreach tools like digital platforms, newsletters, and social media.
West Virginia Public Broadcasting
The station plans to organize a screening of King Coal early in the 2025 Spring semester. The event seeks to draw in two broad categories of audience members, students of the film making program and students and community members from Appalachian backgrounds in general. For students, the goal is to stress the technical achievements of the film and its experimental nature. For community members at large, more emphasis is placed on the content of the film, and its mediation on the impacts extractive industries have made on the culture and landscape of the region. The presentation will take place in a theater on campus and will be followed up by conversation with the director to be facilitated by Marshall University film professor, Tijah Baumgartner.
In addition to the film presentation, WHUT will also promote the completed packaging of the panel discussion as part of the @HOWARD series and will look to air this program immediately following The Body Politic program, when it airs on WHUT. WHUT plans to engage their sister radio station, WHUR 96.3FM, to invite the program producers on a radio segment to discuss the film and its relatable themes of reducing community violence and promoting positive youth engagement.
2023 Program
The 2023 Our America grantees represent an expansive geographical cross-section of public media and civic-minded organizations. Akakū Maui Community Media, a Maui county-based public access channel promotes the creation and distribution of media by, and for, Maui County. Longtime POV community partner Cineculture Club, Oklahoma State University’s student and faculty-led film organization, promotes social and cultural awareness and addresses diversity issues through film and post-screening discussion. PBS Utah promotes the tradition of fact-based journalism and the importance of media literacy for future generations. PBS station South Carolina ETV, based in Columbia, collaborates with local groups to develop deeper engagement with issues that matter to their community. WTJX in the U.S. Virgin Islands develops engagement projects designed to enhance the welfare of all island residents. ‘Our America’ returning grantees are Alaska Public Media (APM) and Prisons to Professionals (P2P). APM partners with an array of local, regional and statewide organizations to inform, impact and make connected life possible for all Alaskans. Based in Baltimore, Maryland, P2P is a national organization that invests in the lives and potential of justice-impacted folks through mentoring, advocacy and policy change.
Grantees:
Akakū Maui Community Media
Akakū Maui will organize screenings of Wisdom Gone Wild across three islands. Their programs will highlight experiences and perspectives on the issues of Maui Countyʻs aging community, the prevalence of dementia in the demographic, caregiving challenges, and the importance of documenting and preserving Hawaiiʻs multi-cultural kupuna (elder) stories.
Returning grantee from 2021, Alaska Public Media will work closely with organizations such asAlzheimer’s Resource of Alaska to host screenings and workshops around the film Wisdom Gone Wild, centering the experiences of older Alaskans, especially those facing dementia, and their caretakers.
Cineculture Club at Oklahoma State University, is an active POV Engage community partner that has hosted 100+ screenings of POV films. Their programs include three in-person screenings at Circle Cinema, an independent art house in Tulsa, and one virtual screening of the films A Story of Bones, Bulls and Saints,Liquor Store Dreams, and Brief Tender Light. Each presentation will feature a post-screening discussion around the issues presented in the films.
PBS Utah will bring together a collaborative of 10-12 journalism students from four Utah universities to create content based on a topic important to them and their fellow students. Content from each university will be showcased at a screening and panel discussion. During the screening, clips from While We Watched will highlight ethical journalism's importance. Additionally, led by journalism professor Marcie Young Cancio, PBS Utah will curate a Book Club in a Box utilizing While We Watched with a relevant novel. Cancio will provide discussion questions to help Utah book clubs discuss the importance of media literacy and unbiased journalism.
P2P is a longstanding POV Engage community partner and a 2022 ‘Our America’ grantee whose work inspires people with criminal convictions to excel beyond what society and life circumstances have set to be the norm. This year, P2P hopes to highlight the lived experiences of justice-impacted women through screenings of Wisdom Gone Wild and Murders That Matter accompanied by workshops hosted by field experts.
Based in the capital city of Columbia, PBS station South Carolina ETV will organize several screenings and workshops around Murders That Matter, Liquor Store Dreams, After Sherman and unseen, using the films to address local issues. They will collaborate with subject matter experts such as the disability-led organization Able SC to engage audiences on a deeper level, and partner with venues such as Columbia Museum of Art, an art museum in the heart of downtown Columbia.
PBS Station WTJX, based in the U.S. Virgin Islands, aims to present Brief Tender Light to college students at the University of the Virgin Islands and upper-level students in the public and private school systems. Their program will target educators, students and parents with the goal of bringing awareness to young students from abroad experiencing cultural differences and the internal pull between their cultures and the US mainland.
2022 Program
This year's six grantees are education-focused organizations serving adults with lower incomes at The Clemente Course in Humanities and currently and formerly incarcerated people at From Prison Cells to PhD; second year grantee Doc Savannah; Found Sound Nation, which uses music to connect people globally; and PBS station partners Georgia Public Broadcasting andPrairie Public Broadcasting, the program's first partner to reach public media audiences in North Dakota, northwestern Minnesota, as well as parts of Montana and South Dakota.
Grantees:
The Clemente Course in Humanities provides a transformative educational experience for adults facing economic hardship and adverse circumstances. Clemente's free college humanities courses empower students to further their education and careers, become effective advocates for themselves and their families, and engage actively in the cultural and political lives of their communities. Clemente is based on the conviction that by studying the humanities, individuals who have been denied access to economic, cultural and social opportunities develop the critical, reflective and creative skills that empower them to work effectively toward improving their own lives and those of their families and communities. Clemente has selected Manzanar, Diverted: When Water Becomes Dust.
Doc Savannah aims to serve nonfiction filmmakers and the communities of the Coastal Empire and the Low Country in Georgia and South Carolina as a resource to inform, entertain, enrich and inspire change through documentary film. They are an inclusive collective of artists working to support the future of the documentary storytelling form and build a network of nonfiction filmmakers in the South. Doc Savannah has selected The Last Out, Let the Little Light Shine, and I Didn't See You There.
Found Sound Nation (FSN) is a creative agency that uses music-making to connect people across cultural and societal divides. It believes that collaborative music creation is a deeply effective way to become aware of the beauty, trauma, and hidden potential in our communities. Its work emphasizes a mobile approach to creating and producing music, combining traditions of musique concréte, hip hop, audio journalism, and contemporary composition. Found Sound Nation has selected Manzanar, Diverted: When Water Becomes Dust, Winter's Yearning, Faya Dayi, and Delikado.
Georgia Public Broadcasting has a mission to create, produce and distribute high quality programs and services that educate, inform and entertain its audiences and enrich the quality of their lives. As one of the largest PBS stations in the nation, GPB has been creating content worth sharing for over 60 years. With nine television stations, 19 radio stations and multi-faceted digital and education divisions, GPB strives to educate, entertain and enrich the lives of our viewers and listeners with programming that includes statewide radio news, current affairs, high school sports, educational resources for teachers and students and enlightening programs about our state like "Georgia Outdoors," "Political Rewind" and more. Georgia Public Broadcasting has selected Love & Stuff, Accepted, and Let the Little Light Shine.
Prairie Public Broadcasting provides quality radio, television, and public media services that educate, involve, and inspire the people of the prairie region. It offers a window on the world through national and regional television and radio programming; creates a forum for the most important issues facing our region with locally produced, topical programming; partners with others to foster education for all ages; and utilizes digital technology and web services to expand those valued services. Prairie Public Broadcasting has selected Manzanar, Diverted: When Water Becomes Dust and Let the Little Light Shine.
From Prison Cells to PhD provides mentoring and educational counseling to currently and formerly incarcerated men and women so that they may position themselves to start building their career as opposed to obtaining temporary employment. Their mission is to help inspire others with similar backgrounds to excel beyond what society and life circumstances have set to be the norm. From Prison Cells to PhD has selected The Neutral Ground, Manzanar, Diverted: When Water Becomes Dust, and Let the Little Light Shine.
2021 Program
We are pleased to announce the partners for 'Our America: Documentaries in Dialogue' 2021:
2020 Program
For a generation, POV has championed accessibility and audience engagement in partnership with educators, community leaders and local stations. In 2020, the rise of the COVID-19 pandemic physically cut off from in-person connection as public spaces and events have shut down to “flatten the curve.” Thousands of our partners including PBS stations, libraries and local media centers could no longer host in-person events that uniquely serve their communities. In addition, we are witnessing a historic moment of national uprisings and community-led calls for social change. Innovative and inclusive ways to stay connected are more critical than ever, although our own work is not immune to this pandemic. We continue to reflect on ways to be both responsive and responsible in our engagement efforts.
Rural Stories: Portraits & Dreams
With support from the Corporation for Public Broadcasting, POV partnered with PBS stations to amplify rural voices and engage audiences throughout Appalachia and beyond. In the midst of the coronavirus crisis, we heard first-hand about challenges that stations faced in the transition to remote operations while doubling down on the need for meaningful community engagement. After receiving interest from nearly a dozen stations, we selected the following partners:
- WSKG (Western New York)
- WOUB (Athens, Ohio)
- Blue Ridge PBS (Roanoke, Virginia)
- KET (Kentucky)
- WTCI (Tennesse)
Inspired by the film Portraits and Dreams, our PBS station partners worked with local organizers, artists, and educators to foster conversation in their communities to reframe narratives about rural life. One of the most important shifts during this time was reimagining public programs when large-scale public gatherings are not possible. We are proud of the creative ways our station partners rose to the challenge. Some highlights include:
- In high school classrooms in western New York, WSKG utilized POV’s educational resources to create their own lesson plans that challenge students to explore representation through photography. View adapted lesson plan.
- WOUB in Athens, Ohio worked with high schools in their region to give students media training and resources to create their own short films, with plans to expand their teacher development project throughout the state. Read project summary.
- Blue Ridge PBS used virtual platforms to engage audiences and college students in the southwestern corner of Virginia to discuss representation in rural Appalachia and launched a photo contest called “Moments in Time: What is Home?” View photo contest.
- Kentucky Educational Television launched a summer “Portraits and Dreams” photo contest for K-12 students and partnered with local photographers and filmmakers to offer virtual media workshops. View photo contest and winners.
- WTCI collaborated with community organizers and artist collectives in the greater Chattanooga area to create a virtual participatory artmaking experience “Outside World: Inside Worth” for communities to reflect on their stories around art and identity.
Activism Onscreen: The Infiltrators & Whose Streets?
In 2020, we also witnessed social unrest and global protests in response to the murder of George Floyd. A new generation was coming into its political consciousness through demonstrations that ranged from social media to the streets. Several of our partners used this moment to spark dialogue through documentaries that centered BIPOC organizers standing up to injustice in their own communities.
New Filmmakers of Los Angeles (NFMLA) partnered with Metro Sessions to host a free screening and discussion of Whose Streets? in August 2020. Hosted on Twitch, the event was designed as a space for self-education into issues facing people of color, further participants’ self-education, and open inclusive discussion that encourages inquiry and advocacy. In addition, NFMLA engaged with faculty, staff, students, and community partners such as nonprofit organizations, elected officials, and industry professionals to populate three public-facing programs around the film The Infiltrators, including over 40 official program partners. Cumulatively, the program reach was over 300,000 through partner newsletters and social media. These events included:
- POV and NFMLA Present: Supporting Latinx Voices on October 7, 2020 at 7pm PT. This event was moderated by LALIFF Artistic Director Diana Cadavid and introduced by HFPA Board Chair and journalist Meher Tatna. It received 1958 views and 259 registrations and was promoted by 19 partner organizations.
- POV and NFMLA Present: Participatory Media Production Panel on October 8, 2020 at 1pm PT. This event was moderated by NY Times and LA Times journalist Carlos Aguilar and introduced by HFPA member, journalist, and film programmer Silvia Bizio. It received 404 views and 46 registrations and was promoted by 11 schools.
- POV and NFMLA Present: Media Production For Social Activism on October 8, 2020 at 4pm PT. This event was moderated by founder of 4C LAB and Inner City Arts educator Marissa Herrera and introduced by HFPA member, journalist, and author Ana Maria Bahiana. It received 652 views and 132 registrations and was promoted by 13 schools and organizations.
2017-2019 Pilot Program
Sponsored by the Open Society Foundations, POV launched “Our America: Documentary in Dialogue” as a response to growing political and regional division in the wake of the 2016 election. The national screening series invited PBS stations to use our catalog of over 200 titles to delve into growing concerns in their communities. The main objective: to expand the mission of public media as a trusted resource for local communities and spark meaningful dialogue through events that serve audiences with different views and backgrounds.During our pilot year, we worked with stations based in America’s heartland: Wisconsin, Michigan and Nebraska. These Midwestern communities, often far from the national spotlight, selected titles about divisive topics that resonated with their communities, including police militarization, race relations and educational equity. To complement each screening, stations partnered with community organizations to build rich event experiences for attendees including panel discussions that provided a local perspective on the issues presented.
The pilot year was a resounding success, with an overwhelming response that these “community-first” screenings and conversations must continue. Direct funding allowed stations to address local barriers to attendance, like providing childcare or transportation to increase participation. Stations also indicated they would continue working with the local advocacy groups, making it a particular point to note that they found the pilot model both easy to implement and incredibly supportive.While the first year primarily focused on rural and non-coastal communities, we received interest from the broader PBS station network.
Carol Griskavich, Wisconsin Public Television[T]he main question we fielded from attendees across the demographic spectrum was this: ‘You guys are going to keep doing these, right?’ These events have really made an impact, and hopefully created a model for us statewide.
In 2018, we launched a sister initiative “POV Presents” as a city-focused corollary to “Our America.” In addition to partners in Missouri and Tennessee, we hosted events in cities like Los Angeles, Chicago, and New York City and expanded the hyper-local model to address challenges distinct to marginalized communities within major cities. We received positive feedback across the board but recognized the two programs caused some among stations and funders, as well as logistical challenges with limited staff capacity.
In 2019, we combined sponsored community screenings under a unified "Our America" umbrella and focused on youth outreach and immigration, especially in areas hit hard by economic divestment and deportations. Teaming up with local nonprofits, we continued to emphasize events that spur action and reflection on issues that mattered to local partners. We increased screenings across the country in states like Arizona and Wisconsin, holding them in schools, with arts programs, and at station headquarters. Our learnings and the relationships built over the past three years have been instrumental in shaping strategic shifts in our approach to engagement and impact activities today.
Pilot Station Partners:
- Arizona PBS (Arizona)
- Nebraska Educational Television (Omaha, NE)
- Nine Network (St. Louis, MO)
- NPT (Nashville, TN)
- PBS SoCal, Los Angeles, CA
- WDCQ (Flint, MI)
- WHUT (Washington, D.C.)
- WHYY (Philadelphia, PA)
- WNET (New York)
- WPT (Madison, WI)
- WTTW (Chicago, IL)
Request For Proposals
Applications for the 2023 cycle are now closed. Please stay tuned for more details on future opportunities.
Special Thanks
Masthead
- Asad Muhammad, VP of Engagement & Impact Strategy
- Robert Salyer, Manager of Outreach & Impact
- Gina Basso, Communication and Stations Relations Manager
- Claire Epstein, Outreach Coordinator
- Rachel Lu, POV Engage Intern
Major Funders
This program was made possible by PBS, the Open Society Foundations, The John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation, Reva & David Logan Foundation, Park Foundation, and Perspective Fund. Additional funding comes from the National Endowment for the Arts, New York State Council on the Arts, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, Sage Foundation, Chris and Nancy Plaut, Ann Tenenbaum and Thomas H. Lee, and public television viewers. POV is presented by a consortium of public television stations, including KQED San Francisco, WGBH Boston and THIRTEEN in association with WNET.ORG.