Blackmon, Douglas A. Slavery By Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II. Random House, 2008.
In this groundbreaking historical expose, Douglas A. Blackmon brings to light one of the most shameful chapters in American history—an “Age of Neoslavery” that thrived from the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Douglas A. Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude shortly thereafter.

Feimster, Crystal. Southern Horrors: Women and The Politics of Rape and Lynching. Harvard University Press, 2011.
Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women.

Giddings, Paula. Ida: A Sword Among Lions. Amistad, 2009.
Heralded as a landmark achievement upon publication, Ida: A Sword Among Lions is a sweeping narrative about a country and a crusader embroiled in the struggle against lynching—a practice that imperiled not only the lives of black men and women, but also a nation based on law and riven by race. At the center of the national drama is Ida B. Wells (1862-1931). Born to slaves in Mississippi, Wells began her activist career by refusing to leave a first-class ladies' car on a Memphis railway and rose to lead the nation's first campaign against lynching. For Wells, the key to the rise in violence was embedded in attitudes not only about black men, but also about women and sexuality. Her independent perspective and percussive personality gained her encomiums as a hero—as well as aspersions on her character and threats of death.

Goldsby, Jacqueline. A Spectacular Secret: Lynching in American Life and Literature. The University of Chicago Press, 2006.
This incisive study takes on one of the grimmest secrets in America’s national life—the history of lynching and, more generally, the public punishment of African Americans. Jacqueline Goldsby shows that lynching cannot be explained away as a phenomenon peculiar to the South or as the perverse culmination of racist politics. Rather, lynching—a highly visible form of social violence that has historically been shrouded in secrecy—was in fact a fundamental part of the national consciousness whose cultural logic played a pivotal role in the making of American modernity.

Ifill, Sherrilyn A. On the Courthouse Lawn: Confronting the Legacy of Lynching in the Twenty-first Century.Rev ed. with foreword by Bryan Stevenson, Beacon Press, 2018.
Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill’s On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious.

Leamer, Laurence. The Lynching: The Epic Courtroom Battle That Brought Down the Klan. William Morrow, 2016.
Based on numerous interviews and extensive archival research, The Lynching brings to life two dramatic trials, during which the Alabama Klan’s motives and philosophy were exposed for the evil they represent. In addition to telling a gripping and consequential story, Laurence Leamer chronicles the KKK and its activities in the second half of the twentieth century, and illuminates its lingering effect on race relations in America today.

Lynching in America: Confronting the Legacy of Racial Terror. 3rd ed., Equal Justice Initiative, 2015.
Lynching in America makes the case that lynching of African Americans was terrorism, a widely supported phenomenon used to enforce racial subordination and segregation. Lynchings were violent and public events that traumatized black people throughout the country and were largely tolerated by state and federal officials. This was not “frontier justice” carried out by a few marginalized vigilantes or extremists. Instead, many African Americans who were never accused of any crime were tortured and murdered in front of picnicking spectators (including elected officials and prominent citizens) for bumping into a white person, or wearing their military uniforms after World War I, or not using the appropriate title when addressing a white person. People who participated in lynchings were celebrated and acted with impunity.

McGovern, James R.Anatomy of a Lynching: the Killing of Claude Neal. Rev. ed. with foreword by Manfred Berg, Louisiana State University Press, 2014.
First published in 1982, James R. McGovern’s Anatomy of a Lynching unflinchingly reconstructs the grim events surrounding the death of Claude Neal, one of the estimated three thousand blacks who died at the hands of southern lynch mobs in the six decades between the 1880s and the outbreak of World War II.

Metress, Christopher. The Lynching of Emmett Till: A Documentary Narrative. University of Virginia Press, 2002.
With a collection of more than one hundred documents spanning almost half a century, Christopher Metress retells Till’s story in a unique and daring way. Juxtaposing news accounts and investigative journalism with memoirs, poetry, and fiction, this documentary narrative not only includes material by such prominent figures as Hodding Carter, Chester Himes, Eleanor Roosevelt, James Baldwin, Gwendolyn Brooks, Eldridge Cleaver, Bob Dylan, John Edgar Wideman, Lewis Nordan, and Michael Eric Dyson, but it also contains several previously unpublished works—among them a newly discovered Langston Hughes poem—and a generous selection of hard-to-find documents never before collected.

Mitchell, Koritha. Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930. University of Illinois Press, 2012.
Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans.

Stevenson, Bryan. Just Mercy: A Story of Justice and Redemption. Spiegel & Grau, 2014.
Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn’t commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship—and transformed his understanding of mercy and justice forever. Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer’s coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice.

Ore, Ersula J. Lynching: Violence, Rhetoric, and American Identity.University Press of Mississippi, 2019.
Ersula J. Ore investigates lynching as a racialized practice of civic engagement, in effect an argument against black inclusion within the changing nation. Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today. From the 1880s onward, lynchings, she finds, manifested a violent form of symbolic action that called a national public into existence, denoted citizenship, and upheld political community.

Shin, Sun Yung, ed. A Good Time for Truth: Race in Minnesota. Minnesota Historical Society Press, 2016.
In this provocative book, sixteen of Minnesota’s best writers provide a range of perspectives on what it is like to live as a person of color in Minnesota. They give readers a splendid gift: the gift of touching another human being’s inner reality, behind masks and veils and politeness. They bring us generously into experiences that we must understand if we are to come together in real relationships. Minnesota communities struggle with some of the nation’s worst racial disparities. As its authors confront and consider the realities that lie beneath the numbers, this book provides an important tool to those who want to be part of closing those gaps.

Wideman, John Edgar. Writing to Save a Life. 1st ed., Scribner, 2016.
In 1955, Emmett Till, aged fourteen, traveled from his home in Chicago to visit family in Mississippi. Several weeks later, he returned, dead; allegedly, he whistled at a white woman. His mother, Mamie, wanted the world to see what had been done to her son. She chose to leave his casket open. Images of her brutalized boy were published widely. While Emmett’s story is known, there’s a dark side note that’s rarely mentioned. Ten years earlier, Emmett’s father was executed by the Army for rape and murder. In Writing to Save a Life, John Edgar Wideman searches for Louis Till, a silent victim of American injustice.

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Random House, 2010.
In this epic, beautifully written masterwork, Pulitzer Prize–winning author Isabel Wilkerson chronicles one of the great-untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.

Coates, Ta-Nehisi. Between the World and Me. Penguin Random House, 2015.
In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son.

Butler, Octavia E. Kindred. Beacon Press, 2009.
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether Dana's life will end, long before it has a chance to begin.

Ellison, Ralph. Invisible Man. Penguin Random House, 1994.
A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of “the Brotherhood”, and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be.

Gaines, Ernest J. A Lesson Before Dying.Penguin Random House, 1997.
From the author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman comes a deep and compassionate novel, winner of the National Book Critics Circle Award. A young man who returns to 1940s Cajun country to teach visits a black youth on death row for a crime he didn’t commit. Together they come to understand the heroism of resisting.

Johnson, Mat. Incognegro: A Graphic Mystery. Berger Books, 2018.
In the early 20th Century, when lynchings were commonplace throughout the American South, a few courageous reporters from the North risked their lives to expose these atrocities. They were African-American men who, due to their light skin color, could “pass” among the white folks. They called this dangerous assignment going “incognegro. Zane Pinchback, a reporter for the New York-based New Holland Herald, is sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi. With a lynch mob already swarming, Zane must stay “incognegro” long enough to uncover the truth behind the murder in order to save his brother — and himself.

Lee, Harper. To Kill a Mockingbird. HarperCollins, 2002.
One of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.

Morrison, Toni. Beloved. Penguin Random House, 2006.
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her love. Told with heart-stopping clarity, melding horror and beauty, Beloved is Toni Morrison’s enduring masterpiece.

Perkins, Kathy A, ed. Strange Fruit: Plays on Lynching by American Women. Indiana University Press, 1998.
This anthology is the first to address the impact of lynching on U.S. theater and culture. By focusing on women’s unique view of lynching, this collection of plays reveals a social history of interracial cooperation between black and white women and an artistic tradition that continues to evolve through the work of African American women artists. Included are plays spanning the period 1916 to 1994 from playwrights such as Angelina Weld Grimke, Georgia Douglas Johnson, Lillian Smith, and Michon Boston.

Tuccelli, Jessica Maria. Glow. Penguin Books, 2013.
Told in five unforgettable voices, Glow reaches back through the generations, from the red-clay dust of the Great Depression to the Blue Ridge frontier of 1836, where slave plantations adjoin the haunted glades of a razed Cherokee Nation. Out of these characters’ lives evolves a drama that is at once intimately human and majestic in its power to call upon the great themes of our time—race, identity, and the bonds of family and community.

Valent, Jennifer Erin. Catching Moondrops. E-book ed., Tyndale, 2010.
Jessilyn Lassiter no longer has to convince people she’s not a child. Having just turned 19 in the summer of 1938, her love for Luke Talley has never been more real. And Luke is finally beginning to care for her in the way she’s always dreamed of. But their budding romance is interrupted when Tal Pritchett—a young, black doctor—comes to Calloway, stealing the heart of Jessilyn’s best friend, Gemma, and stirring up the racial prejudice that has been simmering just beneath the town’s surface. The tension starts to bubble over when Jessie’s elderly neighbor Miss Cleta becomes the first white townsperson to accept Tal’s treatment. And when a young black man is lynched, Calloway is brought to its knees once again as Jessilyn realizes that her anger can make her heart as full of hate as the klan members who have terrorized her town and her family.

Whitehead, Colson. The Nickel Boys.Doubleday, 2019.
As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is "as good as anyone." Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides "physical, intellectual and moral training" so the delinquent boys in their charge can become "honorable and honest men."

Williams, John A. The Man Who Cried I Am.Kindle ed., The Overlook Press, 2016.
From the streets of New York City to the jazz clubs of Paris and Amsterdam, from the battlefields of World War II to the Oval Office, Max’s journey as an African American author and journalist has brought him into the nexus of hypocrisy and duplicity surrounding segregation and civil rights time and again. But nothing he has encountered could have prepared him for the devastating and dangerous truth he now faces.Through the eyes of Max, with penetrating fictional portraits of Richard Wright, James Baldwin, and Malcolm X, among other historical figures, author John A. Williams reveals the hope, courage, and bitter disappointment of African American intellectuals in the postwar era.

Wilson, L. Lamar.Sacrilegion. Carolina Wren Press, 2013.
L. Lamar Wilson's award winning collection of poems exploring identity, sex, religion, history, racism and the paradoxes that emerge within their connections. Included is the poem Resurrection Sunday, a primary source of The Changing Same.

Crowe, Chris. Getting Away with Murder: The True Story of the Emmett Till Case. Penguin, 2003.
The kidnapping and violent murder of fourteen-year-old Emmett Till in 1955 was and is a uniquely American tragedy. Till, a black teenager from Chicago, was visiting family in a small town in Mississippi, when he allegedly whistled at a white woman. Three days later, his brutally beaten body was found floating in the Tallahatchie River. Newly reissued with a new chapter of additional material–including recently uncovered details about Till’s accuser’s testimony–this book grants eye-opening insight to the legacy of Emmett Till.

Hoose, Phillip. Claudette Colvin: Twice Toward Justice.Farrar, Straus and Giroux, 2009.
On March 2, 1955, an impassioned teenager, fed up with the daily injustices of Jim Crow segregation, refused to give her seat to a white woman on a segregated bus in Montgomery, Alabama. Instead of being celebrated as Rosa Parks would be just nine months later, fifteen-year-old Claudette Colvin found herself shunned by her classmates and dismissed by community leaders. Undaunted, a year later she dared to challenge segregation again as a key plaintiff in Browder v. Gayle, the landmark case that struck down the segregation laws of Montgomery and swept away the legal underpinnings of the Jim Crow South.

Kuklin, Susan. No Choirboy: Murder, Violence, and Teenagers on Death Row. Square Fish, 2014.
No Choirboy takes readers inside America's prisons, and allows inmates sentenced to death as teenagers to speak for themselves. In their own voices—raw and uncensored—they talk about their lives in prison, and share their thoughts and feelings about how they ended up there. Susan Kuklin also gets inside the system, exploring capital punishment itself and the intricacies and inequities of criminal justice in the United States. This is a searing, unforgettable read, and one that could change the way we think about crime and punishment.

Lewis, John, et al. March: Book One.Top Shelf Productions, 2013.
Book One spans John Lewis’s youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a stunning climax on the steps of City Hall. Many years ago, John Lewis and other student activists drew inspiration from the 1950s comic book "Martin Luther King and the Montgomery Story." Now, his own comics bring those days to life for a new audience, testifying to a movement whose echoes will be heard for generations.

Woodson, Jacqueline. Brown Girl Dreaming. Nancy Paulsen Books, 2014.
Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.

Burg, Shana. A Thousand Never Evers.Yearling, 2009.
In Kuckachoo, Mississippi, 1963, Addie Ann Pickett worships her brother Elias and follows in his footsteps by attending the black junior high school. But when her careless act leads to her brother’s disappearance and possible murder, Addie Ann, Mama, and Uncle Bump struggle with not knowing if he’s dead or alive. Then a good deed meant to unite Kuckachoo sets off a chain of explosive events. Addie Ann knows Old Man Adams left his land to the white and black people to plant a garden and reap its bounty together, but the mayor denies it. On garden picking day, Addie Ann’s family is sorely tested. Through tragedy, she finds the voice to lead a civil rights march all her own, and maybe change the future for her people.

Crowe, Chris. Mississippi Trial. Speak/Penguin Group, 2002.
At first Hiram is excited to be visiting his favorite grandfather in Greenwood, Mississippi. But before long Hiram begins to feel that the small town is not the place he remembers from his childhood. Then he crosses paths with Emmett Till, a black teenager from Chicago who is also visiting for the summer, and Hiram sees firsthand how the local whites mistreat blacks who refuse to "know their place." When Emmett's body is found floating in a river, Hiram is determined to find out who could do such a thing. But what will it cost him to know?

Dunagan, Ted M. A Yellow Watermelon. Junebug Books, 2007.
In rural south Alabama in 1948, whites picked on one side of the cotton field and blacks on the other. Where the fields meet, twelve-year-old Ted meets Poudlum, a black boy his own age, who teaches him how to endure the hard work while they bond and go on to integrate the field. Through Poudlum and Jake, an escaped black convict, Ted learns of evil forces gathering to deprive Poudlum’s family of their property and livelihood. The white boy and the black boy encounter danger and suspense while executing a plan to save Poudlum’s family, set Jake onto a river of freedom, and discover a great, yet simple secret of enlightenment.

Levine, Kristin. The Lions of Little Rock. G.P. Putnam’s Sons Books for Young Readers, 2012.
As twelve-year-old Marlee starts middle school in 1958 Little Rock, it feels like her whole world is falling apart. Until she meets Liz, the new girl at school. Liz is everything Marlee wishes she could be: she’s brave, brash and always knows the right thing to say. But when Liz leaves school without even a good-bye, the rumor is that Liz was caught passing for white. Marlee decides that doesn’t matter. She just wants her friend back. And to stay friends, Marlee and Liz are even willing to take on segregation and the dangers their friendship could bring to both their families.

Love, Jeremy. Bayou, Vol. 2. Zuda Comics, 2007.
Lee Wagstaff is the daughter of a black sharecropper in the Depression-era town of Charon, Mississippi. When Lily Westmoreland, her white playmate, is snatched by agents of an evil creature known as Bog, Lee's father is accused of kidnapping. Lee's only hope is to follow Lily's trail into a fantastic and frightening alternate world. Along the way she enlists the help of a benevolent, blues-singing swamp monster called Bayou. Together, Lee and Bayou trek across a hauntingly familiar Southern Neverland, confronting creatures both benign and malevolent, in an effort to rescue Lily and save Lee's father from being lynched.

Magoon, Kekla. How It Went Down. Square Fish, 2014.
When sixteen-year-old Tariq Johnson dies from two gunshot wounds, his community is thrown into an uproar. Tariq was black. The shooter, Jack Franklin, is white. In the aftermath of Tariq's death, everyone has something to say, but no two accounts of the events line up. Day by day, new twists further obscure the truth. Tariq's friends, family, and community struggle to make sense of the tragedy, and to cope with the hole left behind when a life is cut short. In their own words, they grapple for a way to say with certainty: This is how it went down.

Myers, Walter Dean. Monster. HarperCollins Publishers, 1999.
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial. Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives.

Napoli, Donna Jo. Alligator Bayou. Wendy Lamb Books, 2009.
Calogero, his uncles, and cousins are six Sicilian men living in the small town of Tallulah, Louisiana. They work hard, growing vegetables and selling them at their stand and in their grocery store. To 14-year-old Calogero, newly arrived from Sicily, Tallulah is a lush world full of contradictions, hidden rules, and tension between the Negro and white communities. He’s startled and thrilled by the danger of a ’gator hunt in the midnight bayou, and by his powerful feelings for Patricia, a sharpwitted, sweet-natured Negro girl. Some people welcome the Sicilians. Most do not. Calogero’s family is caught in the middle: the whites don’t see them as equal, but befriending Negroes is dangerous. Every day brings Calogero and his family closer to a a terrifying, violent confrontation.

Reynolds, Jason, and Brendan Kiely. All American Boys. Simon & Schuster, 2015.
In this Coretta Scott King Honor Award–winning novel, two teens—one black, one white—grapple with the repercussions of a single violent act that leaves their school, their community, and, ultimately, the country bitterly divided by racial tension.

Shabazz, Ilyasah and Renée Watson. Betty Before X. Farrar, Straus and Giroux, 2018.
In Detroit, 1945, eleven-year-old Betty’s house doesn’t quite feel like home. She believes her mother loves her, but she can’t shake the feeling that her mother doesn’t want her. Church helps those worries fade, if only for a little while. The singing, the preaching, the speeches from guest activists like Paul Robeson and Thurgood Marshall stir African Americans in her community to stand up for their rights. Betty quickly finds confidence and purpose in volunteering for the Housewives League, an organization that supports black-owned businesses. Soon, the American civil rights icon we now know as Dr. Betty Shabazz is born. Inspired by Betty's real life—but expanded upon and fictionalized through collaboration with novelist Renée Watson—Ilyasah Shabazz illuminates four poignant years in her mother’s childhood with this book, painting an inspiring portrait of a girl overcoming the challenges of self-acceptance and belonging that will resonate with young readers today.

Taylor, Mildred D. Roll of Thunder, Hear My Cry. Puffin Books, 1991.
Winner of the Newbery Medal, this remarkably moving novel has impressed the hearts and minds of millions of readers. Set in Mississippi at the height of the Depression, this is the story of one family’s struggle to maintain their integrity, pride, and independence in the face of racism and social injustice. And it is also Cassie’s story—Cassie Logan, an independent girl who discovers over the course of an important year why having land of their own is so crucial to the Logan family, even as she learns to draw strength from her own sense of dignity and self-respect.

Thomas, Angie. The Hate You Give.Balzer + Bray, 2017.
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed. Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.